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WOMAN'S WORK IS NEVER DONE.
(EARLY 18th CENTURY,)

The music for this dance will be found in Curwen's Edition, No. 5645, Price 2s,

A slow stately dance.
Arranged for six people. Three couples.
Music played twice through.

 

FIGURE I (8 BARS).

8 bars. The 1st lady and gentleman, Nos. I and 2, move forward, holding hands.
The second couple, Nos. 3 and 4, join in behind them, and the third couple bring up the rear, forming this figure.

As they take this position, they do this step.
1 bar. 1. Step forward with right foot.
2. Bring left up behind and Right foot on pointed toe.
3. Right foot on heel.
4. Cut the right foot.
1 bar. This is followed by a gavotte step for one bar.
On, behind, on, cut.
(Count for pupils for first bar-one, two, and three, four.)

FIGURE II (4 BARS).


4 bars. Set to partners twice obliquely. Gavotte step with point. All begin with the right and point left foot, forward and back, forward again. Each gentleman turns his lady and they fall into places in a circle. (See Photograph.)
During the turn, the 2nd lady (No. 3) crosses over to the opposite side.


FIGURE III (24 BARS).

The ladies advance to the centre of the circle, where all three meet.
Two bars to the centre and two bars back to places, they hold their skirts out, and do this step.
2 bars. 1. Left behind.
2. Half round.
3. Pirouette low, whole turn.
4. Feet together and rise on the toes.
2 bars. Repeat, going back to places.
4 bars. The ladies now stand still and the gentlemen move round the circle on the inside in a triangle, 1st gentleman (No. 2) going to 2nd gentleman's place (No. 4), Second to third, third to first. They move on with the same step as in the first figure: the gentlemen look at the ladies as they pass them, and the ladies slightly acknowledge the gentlemen.
4 bars. Ladies repeat figure to centre.
4 bars. Gentlemen repeat as before, moving on one place.
4 bars. Ladies repeat to centre.
4 bars. Gentlemen repeat, moving back into original place in the circle.

FIGURE IV (8 BARS).

8 bars. 1st and 2nd lady, Nos. 1 and 3, instantly, stretch out hands, join, and make an arch.
3rd and 4th gentlemen, Nos. 4 and 6, do likewise, leaving gentleman No. 2 outside and lady No. 5 outside.
Lady No. 5 and gentleman No. 2 advance towards each other, dancing the steps in first figure (on, behind, toe, heel, cut), etc. Gentleman passes through one arch, the lady through the other; in the middle they bow and curtsey to each other rather
obliquely.
They then retire back through the arches again, and bow and curtsey to each other through them.

FIGURE V (4 BARS).

4 bars. The 1st gentleman then takes 1st lady (Nos. 1 and 2), and doing the first step, retire backwards to their original place.
2nd lady (No. 3) crosses over quickly to he gentleman (No. 4), who advances to meet her, and they are then in their original places. 3rd lady and gentleman, Nos. 5 and 6, lead round to their places; all are now as they started ; they end thus, the final chord being prolonged for a bow and curtsey when they have regained their places.

If it is desired to repeat this dance, they should move thus during the last figure, 4 bars --
Nos. 1 and 2, lady and gentleman, fall back into the 3rd couple's original place.
Nos. 3 and 4 fall back to the 1st couple's place in the middle of stage, facing audience. They are now the first couple.
Nos. 5 and 6 fall into the 2nd couple's place

To repeat a third time, Nos. 5 and 6 should fall back into the 1st couple's place; at the end of the third repeat the 1st couple will be again in their original place.

For performance the dance may be repeated as often as desired.

The following words are found with the directions for the dance. They may be sung while it is being performed.

To enjoy the bliss of treasures,
Mortals spend their lives in toils;
Men in power feel its pleasures,
Chastest maidens it beguiles;
Riches make the ugly pretty,
And the wrinkled hag look young;
Justice blinds; makes fools seem witty,
Riches conquer, right or wrong.

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